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Vatican Micromosaic of Saints Valeria and Martial, Rediscovered Masterpiece

Vatican Micromosaic of Saints Valeria and Martial Everyone loves a good story. In the realm of fine art and antiques, a good story, or what we call “provenance”, has the power to take a work of art from exceptional to awe-inspiring. In terms of workmanship, subject matter and sheer size, this incredible micromosaic detailing the Biblical story of Saints Valeria and Martial has it all. Measuring over 10 feet tall, the precision and detail required to execute such a piece is baffling. Combined with the high cost of materials, micromosaics of this immense size and artistry are beyond rare. When you factor in its provenance of being crafted by the prestigious Vatican’s Mosaic Studio and displayed in St. Peter’s Basilica, you’re dealing with an undeniable masterpiece of historical significance. It took a team of seven skilled mosaicists over two and a half years to complete this majestic masterpiece. Given that Vatican relics, especially ones on such a grand scale as this, almost never lea
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Delacroix (1798–1863) at the Louvre

Musée du Louvre, Paris  March 29, 2018 to July 23, 2018 This exhibition is organized by the Musée du Louvre, Paris, and the Metropolitan Museum of Art, New York.  http://presse.louvre.fr/delacroix-1798-1863-2-en/ Eugène Delacroix was one of the giants of French painting, but his last full retrospective exhibition in Paris dates back to 1963, the centenary year of his death. In collaboration with the Metropolitan Museum of Art in New York, the Louvre is holding a historic exhibition featuring some 180 works—mostly paintings—as a tribute to his entire career. From the young artist’s big hits at the Salons of the 1820s to his final, lesser-known, and mysterious religious paintings and landscapes, the exhibition will showcase the tension that characterizes the art of Delacroix, who strove for individuality while aspiring to follow in the footsteps of the Flemish and Venetian masters of the 16th and 17th centuries. It will aim to answer the questions raised by Delacroix’s
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Grant Wood: American Gothic and Other Fables

Grant Wood's American Gothic—the double portrait of a pitchfork-wielding farmer and a woman commonly presumed to be his wife—is perhaps the most recognizable painting in 20th century American art, an indelible icon of Americana, and certainly Wood's most famous art work. But Wood's career consists of far more than one single painting. Grant Wood: American Gothic and Other Fables brings together the full range of his art, from his early Arts and Crafts decorative objects and Impressionist oils through his mature paintings, murals, and book illustrations.
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COLOURS OF IMPRESSIONISM MASTERPIECES FROM THE MUSÉE D'ORSAY

Art Gallery of South Australia, Adelaide    29 March-29 July 2018 More than 65 Impressionist masterpieces from the renowned collection of the Musée d’Orsay in Paris feature in a major exhibition at the Art Gallery of South Australia. Colours of Impressionism: Masterpieces from the Musée d’Orsay charts the revolution of colour that lies at the very heart of Impressionism and includes master works by Monet, Renoir, Manet, Morisot, Pissarro and Cézanne, among many others. From the dark tones of Manet's Spanish-influenced paintings, to the rich green and blue hues of the French countryside as painted by Cézanne, Monet and Pissarro, to the rosy pigments of Renoir's and Morisot's female figures, the exhibition traces the development of colour in the Impressionists' radical reshaping of painting in the nineteenth century. Boat In The Flood At Port-Marly by Alfred Sisley (1876   Although brightening the palette was the main concern of future Impressionists from the outset,
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Christie’s Prints & Multiple sale April 19-20

Christie’s two-day sale of Prints & Multiples includes nearly 200 lots spanning the 20th to 21st centuries and features modern works by Henri Matisse, Joan Miró, and Pablo Picasso—and Post-War and Contemporary editions by Keith Haring, David Hockney, Jasper Johns, Roy Lichtenstein and Andy Warhol, among others. He Disappeared into Complete Silence, Plate 91947engraving in black on wove paperplate: 22.54 x 10 cm (8 7/8 x 3 15/16 in.)sheet: 25.4 x 17.78 cm (10 x 7 in.)Wye/Smith 1994, 37, VI/VIPurchased as the Gift of Dian Woodner2010.132.9 The auction is led by an extremely rare complete illustrated book of nine signed engravings by Louise Bourgeois (1911-2010), He Disappeared Into Complete Silence, Gemor Press, New York, 1947 (estimate: $400,000-600,000). Published by the artist herself, the project was a declaration of her own prowess in the printing studio and importance as an artist, a legacy that endures to the present day. Created in the late 1940s, the images are closely tie
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