Renaissance master Fra Angelico (about 1395–1455) transformed Western art with pioneering images, rethinking popular compositions and investing traditional Christian subjects with new meaning. His altarpieces and frescoes set new standards for quality and ingenuity, securing his place in history. With the intellect of a Dominican theologian, the technical facility of Florence’s finest craftsmen and the business acumen of its shrewdest merchants, he forged the future of painting in Italy and beyond.
The exhibition reunites for the first time Fra Angelico’s four reliquaries for Santa Maria Novella (1424-34; Isabella Stewart Gardner Museum and Museo di San Marco, Florence). Together they cover key episodes in the life of the Virgin Mary and capture in miniature some of his most important compositional innovations. Assembled at the Gardner with exceptional examples of Angelico’s narrative paintings from collections in Europe and the United States, Heaven on Earth explores his celebrated talents as a storyteller and the artistic contributions that shaped a new ideal of painting in Florence.
Heaven on Earth reunites the Gardner's magnificent
Fra Angelico (Italian, about 1400-1455), The Dormition and Assumption of the Virgin, 1424-1434. Tempera with oil glazes and gold on panel, 85.7 x 45.1 cm (33 3/4 x 17 3/4 in.) Assumption and Dormition of the Virgin, acquired by Isabella in 1899 and the first Fra Angelico to reach the United States,
with its three companions from the Museo di San Marco, Florence: –
The Annunciation and Adoration of the Magi,
The Coronation of the Virgin,
and The Madonna della Stella – reside in Florence. Newly restored to their Renaissance splendor thanks to a special collaboration with the Museo di San Marco, the reliquaries reveal Angelico’s mastery of materials and genius for narrative composition.
Unprecedented loans for this exhibition include the three extraordinary reliquaries (Museo di San Marco, Florence)
a magnificent altarpiece of Paradise (Gallerie degli Uffizi, Florence)
and the jewel-like Corsini Triptych (Galleria Nazionale d’Arte Antica in Palazzo Corsini, Rome).
Also restored for this exhibition is the altarpiece of The Entombment of Christ (National Gallery of Art, Washington, D.C.), which is on display to the public for the first time in over 40 years at the Gardner Museum.
Conceived as a set of jewel-like reliquaries for the Florentine church of Santa Maria Novella, they tell the story of the Virgin Mary's life.
Accompanying the exhibition at the Isabella Stewart Gardner Museum, Boston, this catalogue explores one of the most important artists of the Renaissance
Vatican Micromosaic of Saints Valeria and Martial Everyone loves a good story. In the realm of fine art and antiques, a good story, or what we call “provenance”, has the power to take a work of art from exceptional to awe-inspiring. In terms of workmanship, subject matter and sheer size, this incredible micromosaic detailing the Biblical story of Saints Valeria and Martial has it all. Measuring over 10 feet tall, the precision and detail required to execute such a piece is baffling. Combined with the high cost of materials, micromosaics of this immense size and artistry are beyond rare. When you factor in its provenance of being crafted by the prestigious Vatican’s Mosaic Studio and displayed in St. Peter’s Basilica, you’re dealing with an undeniable masterpiece of historical significance. It took a team of seven skilled mosaicists over two and a half years to complete this majestic masterpiece. Given that Vatican relics, especially ones on such a grand scale as this, almost never lea...
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