Skip to main content

Picasso: The Late Work


Museum Barberini, Potsdam
March 9 to June 16, 2019

The future Jacqueline and Pablo Picasso Museum 
The future Jacqueline and Pablo Picasso Museum 


A stepdaughter of Pablo Picasso plans to open a museum in the Southern French city of Aix-en-Provence by 2021.

Catherine Hutin-Blay, the 70-year-old daughter of Picasso’s second wife, Jacqueline Roque (1927-1986), will display some 2,000 works that she inherited from her mother, in the former convent Collège des Prêcheursin. The property was purchased from the Aix-en-Provence town council for about $14 million.

A number of the Picassos in Hutin-Blay's collection have never been exhibited or published before. The future Jacqueline and Pablo Picasso Museum is expected to draw 450,000 to 500,000 visitors per year to the city of 150,000 residents.

A preview of works from the collection will go on view March 9 to June 16, 2019, at the Museum Barberini in Potsdam. The exhibition Picasso: The Late Work will display Picasso's creations in the final two decades of his life (1953-1973) when he painted more portraits of his wife Jacqueline than any of his other models. The selection will show how Picasso kept being an innovator until the very end of his artistic production.

 Jacqueline with Flowers (1954)

Jacqueline with Flowers (1954)

The Doves (1957)

 

The Doves (1957)

 Bust Of A Woman With A Hat  (1962)

Bust Of A Woman With A Hat (1962)

 Homme assis (autoportrait) 1965

Homme assis (autoportrait) 1965

Related article

Comments

Popular posts from this blog

Vatican Micromosaic of Saints Valeria and Martial, Rediscovered Masterpiece

Vatican Micromosaic of Saints Valeria and Martial Everyone loves a good story. In the realm of fine art and antiques, a good story, or what we call “provenance”, has the power to take a work of art from exceptional to awe-inspiring. In terms of workmanship, subject matter and sheer size, this incredible micromosaic detailing the Biblical story of Saints Valeria and Martial has it all. Measuring over 10 feet tall, the precision and detail required to execute such a piece is baffling. Combined with the high cost of materials, micromosaics of this immense size and artistry are beyond rare. When you factor in its provenance of being crafted by the prestigious Vatican’s Mosaic Studio and displayed in St. Peter’s Basilica, you’re dealing with an undeniable masterpiece of historical significance. It took a team of seven skilled mosaicists over two and a half years to complete this majestic masterpiece. Given that Vatican relics, especially ones on such a grand scale as this, almost never lea...

Klimt and Schiele: Drawn

Museum of Fine Arts, Boston February 25 through May 28, 2018 Marking the centenary of the deaths of Gustav Klimt (1862–1918) and Egon Schiele (1890–1918), the Museum of Fine Arts, Boston (MFA), presents a special exhibition of drawings on loan from the Albertina Museum in Vienna. Klimt and Schiele: Drawn , on view from February 25 through May 28, 2018 in the Lois B. and Michael K. Torf Gallery, examines the separate, yet parallel experiences of the acclaimed Austrian modernists, as well as the compelling ways in which their work relates—particularly in their provocative depictions of the human body. Organized thematically, the selection of 60 works on paper extends from the artists’ early draftsmanship to explore how each shifted away from traditional training to more incisive and unconventional explorations of humanity over the course of their careers. The MFA is one of three museums—and the only U.S. venue—hosting exhibitions of the Albertina’s rarely loaned drawings b...

COLOURS OF IMPRESSIONISM MASTERPIECES FROM THE MUSÉE D'ORSAY

Art Gallery of South Australia, Adelaide    29 March-29 July 2018 More than 65 Impressionist masterpieces from the renowned collection of the Musée d’Orsay in Paris feature in a major exhibition at the Art Gallery of South Australia. Colours of Impressionism: Masterpieces from the Musée d’Orsay charts the revolution of colour that lies at the very heart of Impressionism and includes master works by Monet, Renoir, Manet, Morisot, Pissarro and Cézanne, among many others. From the dark tones of Manet's Spanish-influenced paintings, to the rich green and blue hues of the French countryside as painted by Cézanne, Monet and Pissarro, to the rosy pigments of Renoir's and Morisot's female figures, the exhibition traces the development of colour in the Impressionists' radical reshaping of painting in the nineteenth century. Boat In The Flood At Port-Marly by Alfred Sisley (1876   Although brightening the palette was the main concern of future Impressionists from the outs...