Giorgio de Chirico. Major Works from the Collection of Francesco Federico Cerruti

5 March – 27 May 2018

Castello di Rivoli is presenting an important group of Giorgio de Chirico’s paintings from the Francesco Federico Cerruti Collection for the very first time. The exhibition will feature eight early paintings by the Metaphysical artist, which until now have remained hidden in Villa Cerruti in Rivoli, the home built by the Turin industrialist in the 1960s exclusively to house his private collection.

In keeping with the spirit that characterizes the Cerruti Collection and its encyclopaedic vision, which ranges from medieval paintings with gold leaf backgrounds to contemporary art, the exhibition at Castello di Rivoli proposes a brand new journey through time, establishing a link between the works of de Chirico and key pieces of contemporary art in the museum’s permanent collection. “The exhibition narrative,” writes Marcella Beccaria, “presents visitors with a dizzying thematic blend of similarities, references and contradictions, but also surprising links, which cast new light on the meaning of de Chirico’s art and on his rich cultural heritage.”

Giorgio de Chirico, La partenza degli argonauti.

Set within the baroque castle, where the past continuously renews its encounter with the present, the exhibition comprises a series of dialogs between paintings by de Chirico and the works of contemporary artists such as Giulio Paolini, Michelangelo Pistoletto and Maurizio Cattelan. Carolyn Christov-Bakargiev states: “In de Chirico, the rediscovery of classical mythology does not unfold as it did in the Renaissance in order to reconstruct a story of the past, but instead to escape history, the same history that has led us from the Renaissance to that dangerous and uncontrollable modern acceleration that has continued right up to the present day. De Chirico is Nietzschean, anti-modern and against historicism. By renewing the concept of circular time, the artist looks back to mythology and the pervasiveness of the concept of metamorphosis that characterizes it.”

De-Chirico_Muse-metafisiche-B_l-1

Giorgio de Chirico, Composizione metafisica (Muse metafisiche), 1918. Collezione Fondazione Francesco Federico Cerruti per l’Arte. Long-term loan. Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino.

Excellent review, images.

Comments

Vatican Micromosaic of Saints Valeria and Martial, Rediscovered Masterpiece

Vatican Micromosaic of Saints Valeria and Martial Everyone loves a good story. In the realm of fine art and antiques, a good story, or what we call “provenance”, has the power to take a work of art from exceptional to awe-inspiring. In terms of workmanship, subject matter and sheer size, this incredible micromosaic detailing the Biblical story of Saints Valeria and Martial has it all. Measuring over 10 feet tall, the precision and detail required to execute such a piece is baffling. Combined with the high cost of materials, micromosaics of this immense size and artistry are beyond rare. When you factor in its provenance of being crafted by the prestigious Vatican’s Mosaic Studio and displayed in St. Peter’s Basilica, you’re dealing with an undeniable masterpiece of historical significance. It took a team of seven skilled mosaicists over two and a half years to complete this majestic masterpiece. Given that Vatican relics, especially ones on such a grand scale as this, almost never lea

Jongkind & friends

Dordrechts Museum 29 October 2017 to 27 May 2018 Johan Barthold Jongkind (1819-1891) was a key figure in nineteenth century European painting. He was a linking pin in the development of modern painting and quite rightly a true pioneer of Impressionism. Working from the Dutch, realistic tradition, Jongkind gave the initial push to Impressionism in France. He was born in the Netherlands, but most of his life he lived in France where he became friends with artists such as Jongkind and friends Monet, Sisley, Boudin, Daubigny and Pissarro. Dordrechts Museum dedicates an impressive exhibition to the work of Jongkind and several of his well-known artist friends. Eye opener Jongkind painted cityscapes and in particular coastal and river sceneries. His apt observations of nature and his direct, loose way of painting were an eye opener to the French artists. Camille Pissarro, for instance, was one of the first to mention Jongkind as a model: “Landscapes without Jongkind would

Christie’s Prints & Multiple sale April 19-20

Christie’s two-day sale of Prints & Multiples includes nearly 200 lots spanning the 20th to 21st centuries and features modern works by Henri Matisse, Joan Miró, and Pablo Picasso—and Post-War and Contemporary editions by Keith Haring, David Hockney, Jasper Johns, Roy Lichtenstein and Andy Warhol, among others. He Disappeared into Complete Silence, Plate 91947engraving in black on wove paperplate: 22.54 x 10 cm (8 7/8 x 3 15/16 in.)sheet: 25.4 x 17.78 cm (10 x 7 in.)Wye/Smith 1994, 37, VI/VIPurchased as the Gift of Dian Woodner2010.132.9 The auction is led by an extremely rare complete illustrated book of nine signed engravings by Louise Bourgeois (1911-2010), He Disappeared Into Complete Silence, Gemor Press, New York, 1947 (estimate: $400,000-600,000). Published by the artist herself, the project was a declaration of her own prowess in the printing studio and importance as an artist, a legacy that endures to the present day. Created in the late 1940s, the images are closely tie

Video Nyakumi

Search This Blog